For Songbirds singing is a complex behavior that must be
learned. It has stimulated rapidly advancing researching various disciplines,
notably neurobiology and behavioral ecology. But do not understand
in detail how sound is produced by the birds’ vocal organ, the syrinx. The main
reason for this is that the syrinx is located at the base of the trachea
(windpipe).
To making it relatively inaccessible to direct physiological
studies the powerful, direct methods that have been effectively used to study
sound production in the human voice box cannot easily is adapted to investigate
the avian syrinx.
So, the ideas about sound generation in birds are based on
indirect approaches, such as analysis of vocalizations and of the morphology of
the syrinx, and theoretical models. The combination of indirect and direct
approaches can support to overcome these difficulties. The careful analysis of
zebra finch (Taeniopygia guttata) song revealed linear and nonlinear phenomena.
That is including switches from periodic to a periodic or
chaotic oscillations and period doubling. Also, transitions from linear to
nonlinear dynamics occurred rapidly (within 1 ms), without silent intervals
between the two states. The transitions arise from intrinsic properties of the
vibrating components of the syrinx rather than from complex neural control.
So far, it was presumed that the central nervous system directly
controls the often-intricate temporal pattern of song. In birds, singing
contains the expiratory muscles that line the body wall and generate pulses of
increased air pressure by compressing the posterior air sacs. These pulses
define the coarse temporal pattern, which can be modified by activity of the
syringa muscles.
These muscles are well attached to the syrinx. Because they turn
sound production on and off by opening and closing the airways through the
syrinx. Also, the respiratory and syringeal muscles also control the acoustic
structure of song such as sound frequency and amplitude, and frequency
modulation. An intricate network of brain areas controls the respiratory and
syringeal muscles during song production.
But we now learn that intrinsic mechanical properties of the
syrinx can contribute to temporal and acoustic song patterns. These patterns
are independent of complex central control, needing a minimal contribution (in
the form of slowly changing pressure from the respiratory and vocal muscles.
This is discovered by studying the vibratory behavior of the
zebra finch syrinx in an in vitro preparation. Moreover, the sounds induced by
drawing air through the excised syrinx in some species of bird. The acoustic
versatility of the song is an indicator of male reproductive fitness. So, this
may be important for the choice of mate and encounters between members of the
same sex.
Also, If the peripherally generated acoustic structure requires
a less precise motor control than complex sound modulation controlled by the
action of muscles. It is also weighted differently by a listener who is trying
to work out the ‘quality’ of the singer? The findings are also of practical
importance for researchers trying to quantify the quality of birdsong.
The assessment of songbird complexity is firmly linked to
knowledge of sound-producing mechanisms, and now that peripheral contributions
to song structure must be added. The task has become even more challenging. At
last, they remain the question of whether nonlinear dynamics might also be mixed
up in singing by other species of bird.
The nonlinear effects contributing to the temporal and acoustic
pattern in bird vocalizations will be described. Also, nonlinearity is well known
in the physiology of the human vocal organ. But to those who suffer from
roughness of voice, it must be of little comfort to know that nonlinearity can
also be a mechanism to enhance vocal properties.
The well-known debate between Niels Bohr and Albert Einstein on
the nature of quantum reality, a well asked question central to their debate
the nature of quantum interference has resurfaced. Dürr, Nonn, and Rempe, have
used an atom interferometer to show that Schrödinger’s concept of
‘entanglement’ between the states of particles is the key to wave-particle
duality, and to understand much that is weird about quantum mechanics.
This is quite different from the usual textbook explanation of
duality in terms of unavoidable measurement disturbances. It confirms that
entanglement is essential in establishing quantum weirdness and in the
emergence of classical behavior at larger scales. Quantum entities can act like
particles or waves, depending on how they are observed.
They can be diffracted and produce interference patterns (wave
behavior) when they can take different paths from some source to a detector in
the usual example. The electrons or photons go through two slits and form an
interference pattern on the screen behind. On the other hand, with an
appropriate detector put along one of the paths, the quantum entities can be
detected at a specific place and time, as if they are point-like particles.
But any attempt to determine which path is taken by a quantum
object destroys the interference pattern. The central mystery of quantum
physics, and Bohr called this vague principle ‘complementarily’, and explained
it in terms of the uncertainty principle, put forward by Werner Heisenberg, his
postbox at the time.
To persuade Einstein that wave-particle duality is a vital part
of quantum mechanics. Bohr constructed models of quantum measurements that
showed the futility of trying to determine which path was taken by a quantum
object in an interference experiment. As soon as enough information is acquired
for this determination, the quantum interferences must vanish.
Because any act of observing will impart uncontrollable momentum
kicks to the quantum object. This is quantified by Heisenberg’s uncertainty
principle, which relates uncertainty in positional information to uncertainty
in momentum when the position of an entity is con-strained, the momentum must
be randomized to a certain degree.
This explanation in terms of the uncertainty principle has
become a talisman foursome, but it has left others uneasy, as it views the
measurement and momentum kicks as ‘locally realistic’ in other words, as
idealized classical measurements, rather than quantum mechanical phenomena
them-selves.
This is a treacherous position, and it has led to a debate in
this journal between a group centered on the Max-Planck Institute for Quantum
Optics and one in Auckland, on whether momentum kicks are necessary to explain
the two-slit experiment. Apparently, momentum is involved, because a
diffraction pattern is a map of the momentum distribution in the experiment.
But how is it involved? Is it everything, as Bohr would have
claimed? This is the question addressed by Dürr. Who has studied the interference
fringes produced when a beam of cold atoms is diffracted by standing waves of
light? Their interferometer displays fringes of high contrast but when they
encode within the atoms information as to which path is taken, the fringes
disappear entirely. The internal labeling of paths does not even need to be
read out to destroy the interferences: all you need is the option of being able
to read it out.
Read More – The Snapping Turtles (Chelydra serpentina) / Blue-ringed Octopus – World’s Most Venomous Marine Animals / The Eastern Bluebird (Sialia sialis)
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